Savoring the Memories of Flicks4Chicks Inaugural Year

On June 29th and 30th women filmmakers and their male collaborators took Harvard Square by storm at the 1st year of the Different Faces Different Voices Film Festival, featuring 29 original Flicks4Chicks shorts.

Four screenings at the Brattle Theater showcased a wide variety of under-10 minute films that told stories ranging from the radical rebellion of a transgender pre-teen to a grandmother embarking on a surprisingly unexpected romance.

Twenty awards were given to teams who crafted their stories in one short month, based on situations provided by the festival organizers.

The top awards, each at $2,500.00, emphasized key goals of the festival:  Diversity (of both cast and crew) and moving Beyond the Bechdel to portray women having unique personal adventures and conquering their world.  The Diversity Award was given to The Letter, produced by Becca Berry of Iugo Entertainment, starring Sydney Viengluang and Katie Chan.  The Beyond Bechdel was awarded to Marie Emmanuelle Hartness of Maiema Productions for The Wish, which starred daughter Kira Hartness, Mary Elizabeth Haferd, and Naomi Fuhrer.

Award presenters included Michelle Barbera, Co-Founder of Women in Comedy; Christine Cannavo of Harvard Square Script Writers; James Joyce, Executive Director of Wellesley Media; Joyce Kulhawik of Joyce’s Choices; Florence Mugenyi of Women in Film and Video/New England; Carol Patton, editor of Imagine Magazine; Bob Tremblay, film critic for Metrowest News; and Adam Van Voorhis of Rule Boston Camera.

A cast and crew party held at John Harvard’s Brewery and Ale House included over a hundred guests who arrived from as far away as Los Angeles, Albuquerque New Mexico, Fredericksburg, Virginia, and Ithaca and N.Y., New York.

International submissions included films from London, England and São Paulo, Brazil, in addition to those from across the United States.

The festival was created and administered by Harvard Square Script Writers, a professional screenwriting group, celebrating its 30th anniversary under the direction of Genine Tillotson.  Since becoming a non-profit in 2014, the organization has steadily expanded, sponsoring staged and table reads, screenings, an internship program, and workshops on a wide range of topics.


Florence Mugenyi of Women in Film and Video/New England presents the Beyond the Bechdel Award to Marie Emmanuelle Hartness for "The Wish." Paul Falcone, fest photographer on right. PHOTO CREDIT: Merna Victor


Details about each award-winning film are below:

Best Storyline – Green Fingers

This hilarious tale from a team across the Atlantic (England to be specific) follows the antics of a wacky grandmother and her devoted grand daughter who has come for a visit. The elderly prankster reveals the supposed dark history of her grand daughter’s mother, but is any of what she says the truth?  A clever, fast-paced script with a twist, Green Fingers authors Bethany Lamont and Sidney Law won the award for Best Storyline.

Best Dialogue – Culture Club

In this screwball story of an accidental sperm donation, a young woman confronts what it will be like to have a multi-racial child, in a world where discrimination still exists. The ensemble cast, featuring two fantastic friends who help our hero to imagine herself as a successful mother, had the judges laughing out loud AND thinking seriously about true multi-culturism.    The Best Dialogue Award went to screenwriter/actor Kristy Thomas for Culture Club.

Best Production Design – Bottled

Two witches inhabit a world of mysterious potions and candle-lit meetings with earnest clients, while fighting their own addiction to magic. With a scant few days to create a dark and alluring environment, this production design team managed to create a fantastic supernatural setting.  The Best Production Design Award went to Bottled.

Best Costume Design – Weekend Vampire

It’s time for this vampire to step out of the attic and go party-hopping with a mad texter and an assortment of goth and glam Millennials.  The collection of fantastic finery worn by a huge cast made Weekend Vampire the obvious winner for Best Costume Design.

Best Musical Score – Like Me

Sometimes music simply carries the mood of the film, and in this case it certainly did.  As a young girl struggles to communicate that her gender identity is just plain wrong, the score accompanies us on her journey to a final act of rebellion.  Best Musical Score went to Maxi Artale for Like Me.

Best Cinematography – Tenders and Bottled

More than a few of our films were beautifully shot but two (yes two!) were so outstanding that we had to award a tie in this category.  Whether at a remote farm where a disillusioned retired minister raises chickens, or in the den of a witch mother-daughter team, these filmmakers painted beautiful cinematic portraits. We were thrilled to honor the films Tenders and Bottled with the award of Best Cinematography.

Best Special Effects – Culture Club

It’s your worst nightmare – remembering every failed boyfriend you’ve ever had, then finally deciding you might be better off single.  In this sequence, we are taken on a seamless tour of one woman’s romantic history, all in the flash of an eye.  With deceptively simple effects this team produced a most memorable comic moment.  The Best Special Effects award went to Jeremy Thomas for Culture Club.

Best Sound Engineering – Pretty Good Run

You’re trapped in a bathroom.  It’s 1978 and you’ve just found out you are pregnant.  You scream, you thrash.  Later you come to accept your situation and hold your newborn close to your breast, knowing that good-bye could be moments away.  The impeccable sound recording and mixing of this heartbreaking study from another era made it the logical choice for this award. We were delighted to present the Best Sound Design award to Pretty Good Run.

Best Editing – Pretty Good Run

A film ultimately comes together in the editing room where the strongest performances are selected, sequences are composed and the story finally emerges as a coherent and hopefully dramatic whole. This story, artfully constructed by the same London team (see above), exemplifies the craft.     We were excited to present the award for Best Editing to Tommy Reynolds for Pretty Good Run.

Best Comedy – Weekend Vampire

What happens when you combine a satiric look at modern society and elements of traditional horror?  You get a fast-talking, oblivious social media maven and her bloodthirsty companion.  Selected by our judges from Women in Comedy as Best Comedy – Weekend Vampire.

Best Drama – The Letter

A film that excels in drama is one where human emotion and conflict are at the forefront. The winner of this category explored an age-old story of inter-generational misunderstanding.  When a mother finally decides to break free of her ties she discovers that it is not so easy. She must go beyond pen and paper to a face-to-face confrontation with her resentful daughter. This compelling drama and its powerful twist made this film unforgettable. Winner of the Best Drama award was given to The Letter.

Best Actor – Katie Chan

This award was one of the most difficult for the judges.  So many of the actors gave 110% in roles that profoundly moved the viewers and, most importantly, went beyond the one dimensional stereotypes women so often play in mainstream media. But this performance was perhaps best described by one of our judges as “profoundly powerful in its subtly.”  We were honored to present the award for Best Actor to Katie Chan for The Letter.

Best Supporting Actor – Christin Eve Cato

She jumps into a cab and reminds the driver of another time and place.  Her resemblance to another lover triggers a day-long adventure in connection and healing. Her character evolves from terrified to joyful, and we are literally along for the ride. The award for Best Supporting Actress was presented to Christin Eve Cato for City Stars.

Best Rising Star – Brooklyn Robinson

Once in a great while a director has the good fortune to find a child actor so un-self conscious, so spontaneous that she consumes the frame and ultimately owns the film.  This young one was given a real challenge in this gender-bending examination of identity.  And she rose to the occasion.  The winner of the Best Rising Star award went to Brooklyn Robinson from Like Me.

Best Director – Pinky Promise

Women only make up 13 percent of the directors in Hollywood so what exactly are we going to do about that?  Let’s start by acknowledging that women have the passion, stamina, and talent to take the creative reins.  In this terrific ensemble story about competitive employees who could perhaps be allies – or even more – the director inspired dynamic performances in a witty but thoughtful look at female friendship.  We were proud to present the award for Best Director to Catharine Palafis for the film Pinky Promise.

Best Emerging Filmmakers – A Perfect Match and For Sam

These two women represent opposite ends of the spectrum in their ages, but not in their ambition or talent.  Neither knew anything about filmmaking when they began this project, but they were determined to tell stories that mattered – about reinvention and acceptance.  Both wrote and directed their films and their messages came through loud and clear in the performances they inspired. The Best Emerging Filmmaker awards went to Gwendolyn Mason Callahan for A Perfect Match and Alexandra Henderson for the film For Sam.

Different Faces Different Voices (Diversity) Award – The Letter

At the Different Faces Different Voices Film festival, the mission was to encourage filmmakers to explore untold stories of the human experience. This winning film boldly explored the ideas of identity, and culture. At its core it is a study of a mother and daughter overcoming a cultural and generational divide. Its compelling theme and performances gave voice to issues often ignored in our society – aging, xenophobia (and its terrible consequences) and the importance of emotional intimacy. Asian American stories make up only 1 percent of major Hollywood films, but the judges did not select this short to right an issue of discrimination.  It is simply a wonderful tale of reconciliation. The Flicks4Chicks contest was proud to present the Different Faces Different Voices Diversity Award to The Letter.

Best Beyond the Bechdel Test – The Wish

In the original 1985 cartoon by Alison Bechdel, her characters put forth the following requirement for any film worth seeing – the movie had to have at least two women in it who talk to each other about something other than a man. In the Flicks4Chicks contest we asked filmmakers to create cinematic narratives where women characters were taken beyond that minimum standard. We challenged them to show women pursuing their own goals, engaging in exciting adventures, overcoming significant odds, and feeling victorious.

While all the judges were impressed by the films screened over the course of the festival, there was one film, in particular, that truly rose to that thematic challenge. In it, three young girls, who begin their day eating candy and being idle, discover the power that a woman can exert if she is willing to face down her enemies.  In this case, the passion of a wish might just alter history.  As noted previously, the Beyond the Bechdel Film Award went to The Wish, written and directed by Marie Emmanuelle Hartness.

A slideshow below captures just some of the exciting events from those two memorable days.  All photos by Paul Falcone, unless otherwise indicated.

Welcome to X-Factor Films – A New Media Model for the Digital Age – June 29th

The Different Faces Different Film Festival invites you to join X-Factor Films founder Lauren Tracy for a discussion on emerging and millennial filmmakers on June 29th from 3:00 – 4:00 PM. Tracy, CEO and Filmmaker at X-Factor Films, will discuss her company’s impressive collective of filmmakers that has grown over the past year. As she explains it,  X-Factor Films will hopefully “become the Netflix meets Reddit of female entertainment.”

The team at X-Factor believes that changing the global landscape of entertainment for women starts by partnering with filmmakers to create amazing content for young women. This panel discussion will include screening samples of X-Factor’s work including films featuring Gina Rodriguez, star of Jane the Virgin, as well as Anna Camp and Skylar Astin from Pitch Perfect.


ABOUT LAUREN TRACY: Lauren Tracy started her career working with Avid, NYU and Kathryn Bigelow to providing financial awards to female filmmakers. While working in LA as an editor for feature films, Tracy came up with the idea for X-Factor Films. This idea lead to her being 2013 Dogfish Accelerator finalist in NYC (the world’s first film/business incubator), and to being accepted into Boston’s leading incubator (Venture Development Center).  In 2015 Tracy and her partners Rick Tracy and Gerta McAnany  began gathering the team, and building the business model for X-Factor Films.

In addition, Tracy’s screenplay SWEET DESERT PALM, a thriller, was a Big Vision Empty Wallet 2015 Screenwriters Career Lab finalist and she was a finalist director in the 2015 Lionsgate competition “Storytellers: New Voices of the Twilight Saga.”

ABOUT X-FACTOR: Tracy explains, “We will curate and produce the highest quality movies and series for young women on a platform that acts as “the front page of the internet,” encouraging cultural conversation around it. Imagine if Beyoncé’s ‘Lemonade’ had been released in a space where you, Beyoncé and the internet could have engaged with each other about it – #mindblown! Currently we are partnered with 25 filmmakers whose accomplishments include being nominated for an Academy Award, winning an Emmy, being on the New York Times Best Sellers list, having projects on HBO and Netflix, and building hundreds of thousands of fans. This fall we will launch a BETA version of our platform for our core following with a library of short-form movies and series from these creators and more.”


PHOTO CREDIT: Samantha Zachrich

Tickets to this individual event can be purchased online for $10.00 or you can purchase an All-Access Pass for only $25.00 to attend all 4 workshops on the 29th and 30th. Location:  University Lutheran Church, 66 Winthrop Street, Cambridge, MA 02138.

This workshop is hosted by Different Faces Different Voices, as part of the Flicks4Chicks film contest, in collaboration with Women in Film and Video/New England Chapter.

Meet Allison Argo, Award-Winning Documentary Filmmaker – June 29th

Allison Argo w Knuckles Hi Res

Allison Argo communes with one of her film subjects, Knuckles.

Meet documentary filmmaker Allison Argo, and hear how she has travelled the world in search of some of the most compelling animal stories ever told.

Join us on June 29th from 4:15-5:15 PM for a discussion about her works and her career. You’ll have an opportunity to see clips from some of her favorite films and learn how and why she chose her subjects.

Argo’s films have won over 100 awards internationally, including six national Emmys, DuPont Columbia, Genesis, Jackson Hole, NY, Banff, and dozens of awards from New Zealand to Japan. Argo is known for her emotionally-charged and deeply personal films – in particular her intimate portraits of endangered animals. The nearly two dozen award-winning films she’s produced, directed and written have all been broadcast by PBS and/or National Geographic and have reached audiences worldwide.

Her latest work The Last Pig continues Argo’s mission to provide “a voice for those who cannot speak for themselves”– and to deepen understanding and respect for all beings.

Tickets to this individual event can be purchased online for $10.00 or you can purchase an All-Access Pass to attend all 4 workshops for only $25.00.

This workshop is hosted by Different Faces Different Voices, as part of the Flicks4Chicks film contest, in collaboration with Women in Film and Video/New England Chapter.

The Market for Short Films Presented by Stage 32 Industry Pros – June 30th

On June 30th from 3:00 – 4:00 PM, Stage 32  will present a virtual panel at the Different Faces, Different Voices film festival focusing on the market for short films. In this exclusive panel Stage 32 will explain:

– What makes a great marketable short
– How to get it into festivals and sell your film
– How to do either self distribution or distribution through a third party
– How to leverage that into longer format projects.


RICHARD BOTTORichard Botto, Producer, Screenwriter, Actor, CEO of Stage 32

Richard Botto is the founder and CEO of Stage 32, the world’s largest online platform for connecting and educating film, television, and theater creators. In just over four years, Stage 32  has reached over 500,000 inspiring creatives worldwide. Additional to his work at Stage 32, Botto is a screenwriter, producer, actor, and author. His latest script, End Game, is currently in development.


David PatersonDavid Paterson, Producer, Writer

David Paterson is an acclaimed playwright, screenwriter, and producer. He has written over two dozens plays that have been performed on both Broadway and Off Broadway. In the film industry, he carved his path into the family genre with his screenplay of Bridge to Terabithia, and has been making his mark ever since. Patterson’s films and documentaries have been seen in over 100 film festivals worldwide!


James Kicklighter

James Kicklighter, Producer, Director

James Kicklighter is a multi-award winning writer/director that is known for his unique southern voice. His film Desires of the Heart won the Best Foreign Film category at the Los Angeles Femme Film Festival and was a nominee at the Cannes Marche du Film. Kicklighter is in the middle of developing several films for producers Richard Saper, M. Elizabeth Hughes, and Beau Turpin.


Jason Mirch copyJason Mirch, Feature Film and TV Producer

Jason Mirch is a feature film and television producer. Previously, Mirch was the head of feature and television development  and production at Image Nation Abu Dhabi, a finance and production company based in the United Arab Emirates. While there, he supervised the development of blockbusters The Help, The Best Exotic Marigold Hotel, and Contagion. Now he is focusing on building his own production company– Destructo Films.

Where to Purchase Tickets:
You can purchase tickets for the Stage 32 Workshop for $10.00  here.  Or purchase an All-Access Pass to all for workshops for only $25.00. Location:  University Lutheran Church, 66 Winthrop Street, Cambridge, MA 02138.

To “Lifetime” and Beyond – Writing, Directing and Producing for TV Panel Discussion – June 30th

The Different Faces Different Voices Film Festival invites you to a discussion with screenwriter, Marcy Holland, producer/director, John Stimpson, and entertainment lawyer, Matt Valentinas who have worked together on multiple made-for-TV films for the ultimate Chick Flick channel – Lifetime.  4:15 – 5:15 PM on June 3oth. Learn the ins of producing for Lifetime and discover how these pros have created many other projects, from indie films, to sci-fi, to explosive documentaries while living far from LA.


Since 2012, Marcy Holland has written twelve made-for-TV movies for networks including Lifetime, LMN and SyFy. Her latest movie Caught, starring Anna Camp, premiered at the 2015 LA Film Festival. She currently resides on the North Shore and occasionally tweets at @hollandnotes.





John Stimpson is a writer, director and editor of motion pictures. Having worked extensively in episodic, documentary style television on programs for Discovery, Animal Planet, HGTV and Outdoor Life, Stimpson turned his focus on scripted, narrative content in the early 2000’s. His interest in film and television began at Harvard where he majored in Visual and Environmental Studies and was President of the Hasty Pudding Theatricals. He then spent five years as a professional actor in Los Angeles before returning to the East Coast and refocusing his talent on the other side of the lens. With ten features under his belt as a director and many others as writer, editor, producer or consultant, John believes that motion pictures are the ultimate collaborative creative medium. For Stimpson the filmmaking process is about capturing magic – on the page, within the performance and ultimately on the screen.

His filmography includes: The Legend of Lucy Keyes (2006), A Christmas Kiss (2010), Sexting in Suburbia (2011), A Deadly Obsession (2012), A Fall From Grace, aka Last Hours in Suburbia (2012), The March Sisters at Christmas (2013), The Off Season (2013), Sins of the Preacher (2014), Black Car (2016) In development: Genesis One (slated for production Fall 2016), Franconia Notch (co-written by Casey Sherman, based on his book, Bad Blood), Crashing Camelot (based on the book, Forever Young, My friendship with John F. Kennedy, Jr. by William Noonan), The Scottish Play (co written with Geoffrey Taylor), Cocoanut Grove (based on the 1942 nightclub fire in Boston).


Matthew ValentinasCropABOUT MATT VALENTINAS:

Matthew Valentinas is an entertainment lawyer, literary manager, and producer. Matthew has held various creative and business administrative positions in the entertainment industry working in both New York and Los Angeles since 1995. A Newton native, Matthew returned to the Boston area and founded the Law Office of Matthew Valentinas in 2009 while also establishing Mom’s Basement Management to represent television personalities, screenwriters, directors, producers, and authors. Matthew focuses on sourcing and exploiting life-rights, nonfiction rights (including true crime) and undervalued or undiscovered intellectual property that may appeal to a broader commercial market. He positions his clients’ material with publishers, production companies, networks and studios. Additionally, Matthew represents and packages motion pictures, television projects, and documentaries with independent financing to be acquired and licensed. Matthew recently produced the controversial documentary An Open Secret about the sexual abuse of children in the entertainment industry.

Furthermore, Matthew is a co-founder in the management consulting company Mass Media. Mass Media develops and/or seeds venture opportunities in intellectual property. A current project for Mass Media is White Devil, the true story of the first white Asian crime boss which is in development with a major studio based on the book White Devil by Bob Halloran. Matthew received his BFA in film and television production from the Tisch School of the Arts at New York University and earned his (J.D.) from Suffolk University Law School in Boston where his focus was corporate finance and intellectual property.

You can reach Matt on Twitter @MattValentinas.

Tickets to this individual event can be purchased online for $10.00 or you can purchase an All-Access Pass to attend all 4 workshops for only $25.00.

This workshop is hosted by Different Faces Different Voices, as part of the Flicks4Chicks film contest, in collaboration with Women in Film and Video/New England Chapter.

LOCATION: University Lutheran Church, 66 Winthrop Street, Cambridge, MA 02138.

Wrap Party Tickets For All Flicks4Chicks Filmmakers Are Available For Purchase – As Of June 10th


It’s time to celebrate the completion of all the Flicks4Chicks films!  This closed event will be held at John Harvard’s Brewery and Ale House at 33 Dunster Street, Cambridge, just two blocks from the Brattle Theater.  All participants should have received an email with a link for purchasing tickets.  Meet other filmmakers and share your production stories.  The event occurs right after our screenings on June 29th, from 9:30 – 11:30 PM.  Light snacks will be provided so please purchase your tickets ASAP.  That way we’ll be sure to have enough food.

If you have not received an email with a ticket link, please write to us at  Tickets are $10.00 and any cast or crew may also purchase a second ticket for a significant other.  Only a very limited number of tickets will be available at the door.  Cash bar.


Twenty Nine Fantastic Films Premiere at the Brattle Theater – Tickets On Sale Now!


Director Catharine Pilafas sets up a critical dining scene in “Pinky Promise,” a story of friendship, competition and possible love. PHOTO CREDIT: Barb Odell

Twenty nine of the best Flicks4Chicks short films will screen at the Brattle Theater in the heart of Harvard Square on Wednesday, June 29th and Thursday, June 30th. After all of the hard work, we can hardly wait to share these films with the public.

Twenty awards will be given to many of the filmmakers. Single tickets can be purchased for individual screenings at $10.00 each or you can attend all 4 screenings for only $25.00 by purchasing a Program Pass.

SCREENING I 6:00 – 7:15 PM
Grandma in Love
For Sam
Green Fingers
The Story of My Life
The Dream
A Perfect Match

SCREENING II 7:45 – 9:00 PM
Objects in the Mirror
City Stars
Femina, Fuge!
Weekend Vampire
Pretty Good Run
Super Might: The Unveiling

SCREENING I 6:00 – 7:15 PM
Somewhere Around The Corner
Pinky Promise
Baked Goods
Boxed Up
Like Me

SCREENING II 8:00 – 11:30 PM
The Bookery
The Wish
Little Eve’s
The Letter
All My Voice
Forgotten War
Culture Club

Flicks4Chicks Film Contest Takes Off With 50 Teams Shooting

The Flicks4Chicks contest was launched for sign-ups on February 14th and the festival organizers honestly had no idea what to expect when they made an international call to filmmakers.  Would women filmmakers be inspired to make a short in one month or would that seem too daunting?  Since men dominate the industry, how might they feel about a contest requiring that women hold lead roles of creative authority?  Finally, how would people who generally have their own artistic visions respond to being given a choice of “situations” on which to build their stories?  It turns out that, with a few exceptions, we received an overwhelmingly positive response.  Well over fifty teams signed up and on the cut-off date of March 31st there were others who had learned of the contest too late, still hoping to participate.

On April 1st the Flicks4Chicks film teams received their narrative situations and were given 5 days to make a final decision on which one they wanted to develop.  Now, the international film contest is off to a roaring start with 50 crews from across the US and the world busily working on their projects.

Situations range from “a Muslim woman with a love of technology joins a “geek” sorority at college but still finds her values in collision with the young women around her” to “a female police officer who has been experiencing sexual discrimination is asked to assist in an intense hostage situation where things have spiraled out of control.”

Who might do the best job of exploring diversity or moving beyond the Bechdel test?  We could hardly wait to see, so we asked our teams to send us production stills once they began shooting.  With a deadline of May 1st, it’s a race to the finish.   Here are just a few of the highlights.  If they inspire you, save the dates of June 29th and 30th to attend our Different Faces Different Voices Festival screenings at the Brattle Theater in Cambridge, MA.

Martin Dwyer

Application Developer

Rachel Wright

Art Director & Photographer

Andrew Butler

Photographer & Illustrator